Showing posts with label randy brecker. Show all posts
Showing posts with label randy brecker. Show all posts

Tuesday, February 3, 2009

Walter Bishop Jr.- "Cubicle" (1978, Muse)





Several great tracks on this 1978 Muse album by keyboardist Walter Bishop Jr. , who's mostly on rhodes here and still has some of his Black Jazz flavors intact. "Cubicle" comes the year after his Muse album 'Soul Village' and features similar instrumentation and some similar textures. It's also a nice clean piece of vinyl.

There's still some rawness here - the album doesn't have 1978 slick arrangement/production values stamped all over it, even though the vast majority of these musicians seemed to be getting most of their work on CTI albums at the time. While then-ubiquitous pop/jazz session trumpeter Randy Brecker is here, his precision is nicely balanced with the more lyrical, loose work of trombonist Curtis Fuller, and saxophonists Rene McClean and Pepper Adams.

Over the course of his solo career, Bishop tended to re-record different versions of songs by himself and others from one album to the next. "Cubicle" is no exception, with half of the tracks having appeared on previous albums in occasionally radically different forms.

The opener "Valley Land" has rarely left my turntable since I acquired the record. Previously recorded as a piano trio instrumental on Bishop's 1974 "Valley Land" album, here it's beefed up into an energetic vocal track featuring a young Carmen Lundy in one of her first recordings.

It sounds like a Strata-East track from earlier in the decade, perhaps from Billy Parker's Fourth World, or even like a Doug Carn vocal track, with Ray Mantilla's latin percussion working upfront. Check it out on the preview. (Also, check out a few different versions of Carmen Lundy singing the classic track "Time Is Love" over at Private Press).


'Summertime' excerpt 

The album features Bishop's fourth recording of the standard "Summertime". He'd given blues-infused jazz readings of the track on 1963's "Walter Bishop Trio" and the 1964 recording on "Bish-Bash", then funked it up on his 1973 Black Jazz album "Keeper of my Soul", switching from piano to a harsh hammond organ that probably demanded a heavier backline than he had there.

The "Cubicle" version of "Summertime" is his funkiest yet - Bishop switches to rhodes, and this time is ably supported by the ubiquitous Billy Hart on drums, great percussion from Ray Mantilla - who put out an excellent solo album the year before - and a nice dirty baritone solo from Pepper Adams.
"Those Who Chant" receives a similar treatment to the version on 1973's 'Keeper Of My Soul', although the unison doubling of Joe Caro's guitar with Bishop's rhodes gives the melody a slight fusion edge (but thankfully not too much!). There's some nice rhodes solo work in the track as well - Bishop had just played acoustic in the earlier version. Caro's guitar work is generally in a restrained soul-jazz style, perhaps more suited to Bishop's work than Steve Khan's was on "Soul Village".

"Now, Now That You've Left Me" is a bossa-tinged piece that recalls some of the tracks on "Soul Village", or perhaps some of Kenny Barron's work from the same period. It's written by the album's producer Mitch Farber, who later released an album called "Starclimber" (1982) on Muse.
Bishop gives the rhodes treament to "My Little Suede Shoes" a favourite standard from his Charlie Parker days, and finally returns to his bop roots with an acoustic rendition of the title track "Cubicle", pre-cursing his return to a concentration on acoustic piano work that would follow this album.

DOWNLOAD WAV - MP3

TRACKLIST

01. 'Valley Land' - 6:34 -
(W. Bishop Jr.)
02. 'My Little Suede Shoes' - 4:50 - (C.Parker)
03. 'Those Who Chant' - 7:08 - (W. Bishop Jr.)
04. 'Summertime' - 8:06 - (G. Gershwin - D. Heyward)
05. 'Now, Now That You've Left Me' - 6:35 - (M. Farber)
06. 'Cubicle' - 4:12 - (W. Bishop Jr.)


MUSICIANS

Bass [Fender] - Bob Cranshaw , Mark Egan (tracks 1,4)
Drums - Billy Hart
Guitar - Joe Caro
Keyboards - Walter Bishop, Jr.
Percussion - Ray Mantilla
Saxophone (Alto, Soprano, Tenor) - Rene McLean
Saxophone (Baritone) - Pepper Adams
Trombone - Curtis Fuller
Trumpet, Flugelhorn - Randy Brecker
Vocals - Carmen Lundy (track 1)

 
PRODUCTION DETAILS
 

 Producer, Arranged By - Mitch Farber
Engineer - Elvin Campbell
Art Direction, Photography - Hal Wilson

 
WALTER BISHOP Jr. DISCOGRAPHY


1961 'Speak Low'
at jazzdisposition or Pharoah's Dance
1961 'Milestones'
('Speak Low' with three alternate takes added)
1963 'The Walter Bishop Trio' (FLAC)
at Sic Vos Non Vobis
1964-68 'Bish Bash' (MP3)
at Pharoah's Dance
1964-68 'Bish Bash' (FLAC)
at Call It Anything
1971 'Coral Keys' (FLAC)
at Call It Anything
1973 'Keeper Of My Soul'
1974 'Valley Land'
at Ile Oxumare1975 'Soliloquy' at My Jazz World
1976 'Old Folks' at Casqueria Fina Y Menudillos de Ocasion
1977 'Hot House' at Arkadin's Ark
1977 'Soul Village' 1978 'Cubicle' in comments here
1978 'The Trio'
(with Billy Hart, George Mraz)
1988 'Just in Time'
1989 'Ode to Bird'
1990 'What's New'
1991 'Midnight Blue'
1998 'Speak Low Again'


POST CREDITS

Vinyl rip by
Simon666

Apart from the discography, other album links in this post go to : My Jazz World, Ile Oxumare, Orgy In Rhythm, Sic Vos Non Vobis, Pharoah's Dance, Call It Anything, Private Press and Jazz Disposition.

Please thank and support these bloggers if you download their albums.


Oh. and this is Walter reading his poem about Max Roach :
"Max The Invisible Roach" :

Thursday, June 5, 2008

Easy Pieces - Easy Pieces (1988)






"Easy Pieces" is probably the first and last mid-80s record you'll find posted here. It's here so we can continue the Renée Geyer story, and if you're new here, check out "Ready to Deal" and "Moving Along" at this blog before continuing, amongst others, 'cos they're better albums.

After singer/guitarist Hamish Stuart left the Average White Band, he worked as a sideman / backing vocalist to artists such as Aretha Franklin and Chaka Khan, for whom he wrote the superb "Whatcha Gonna Do For Me". Also working as a backing vocalist for Chaka Khan's live show was Renée Geyer, who after a revitalised pop career in early 80s Australia was trying her hand in the USA again.

Hamish and Renée joined forces with ex-Average White Band drummer Steve Ferrone and session bassist Anthony Jackson to form the band Easy Pieces, who recorded one self-titled album under contract from A&M Records. Continuing the Chaka connections, Ferrone had played drums on most of Khan's album "I Feel For You".

When I began researching this post, things got sketchy after that, not the least because this lost album is not included in any of the four artist's discographies. From what I can gather, it seems that the album initially had truckloads of money thrown at it by A&M, and took a long, long time to finish. One of the main producers was David 'Hawk' Wolinksi, keyboardist from Rufus and notable as the writer of ... you guessed it ... Chaka Khan's "Aint Nobody" and Rufus/Chicago's "Street Player", and keyboardist on Michael Jackson's "Don't Stop Till You Get Enough"

By the time they'd finished it, two things happened that confined it to the bargain bins of history. Firstly, A&M was in the process of switching distributors, and gave it zilch promotion - the album doesn't seem to have been released outside of the USA. But the final nail in the coffin was that Hamish Stuart joined Paul McCartney's band, with whom he stayed for six years - so that was the end of Easy Pieces.

Not that this is any lost masterpiece ...
Best track would be the Renée Geyer and Steve Ferrone-penned "Walk That Walk", which wears its Chaka vocal influences on its puffy sleeve, but has Randy Brecker arranging a real brass section, and Renée in fine voice. Renée's only upfront in a few tracks, mainly sitting behind Hamish Stuart's whiteboy soul tenor for most of the album, occasionally sharing a lead.

The production is very much of its time, slamming gated-reverb snares and crisply programmed FM synthesiser brass predominating. While Hawk Wolinkski is reasonably spare in his arrangements, the main culprit seems to be the other main producer, E.T. Thorngren, who was applying the same sound to his 12" remixes of Robert Palmer ("Simply Irresistible") and the Eurythmics ("Would I Lie To You"). Some of it's just plain terrible, with the first few tracks seemingly aimed at the Jefferson Starship end of the market.

I decided to post this because a lot of you have shown love for the Renée Geyer albums I've been posting, and so I thought you might be curious, as I was, about this thoroughly 'disappeared' album. Many thanks to Micko for his vinyl rip and cover scans.

Tomorrow we rush back to the 70s.... :)

TRACKLIST

01 "Whenever You’re Ready" (Hamish Stuart / St.George)
02 "It’s No Lie" (Hamish Stuart / Clyde Lieberman)
03 "Heart Of The Matter" (Hamish Stuart / Clyde Lieberman)
04 "You’re My Heaven" (Renée Geyer / Hawk Wolinski / Neil Larsen)
05. "Tuggin’ At My Heartstrings" (Hamish Stuart / Amy La Television)
06 "Trust One Another" (Hamish Stuart / John Lind)
07 "Daddy’s Girl" (Hamish Stuart / Renée Geyer / Hawk Wolinski)
08 "Walk That Walk" (Steve Ferrone / Renée Geyer)
09 "Don’t Knock It" (Hamish Stuart / Hawk Wolinski / Clyde Lieberman)
10 "Separate Shores" (Hamish Stuart / Roy Freeland)


EASY PIECES are

Hamish Stuart - Guitars, Vocals
Renee Geyer - Vocals
Steve Ferrone - Drums
Anthony Jackson - Bass


ADDITIONAL MUSICIANS

Hawk Wolinski - keyboards, percussion & programming
James Harrah - guitar (6)
Neil Larsen - keyboards
Randy Brecker - horn arrangement (8)
Daid Boruff - saxophones (8)
Gary Grant - trumpet (8)


PRODUCTION CREDITS

Produced by E.T Thorngren
(E.T.?) and Hawk Wolinski except
Track 1 - Produced by Bill Bottrell & Easy Pieces.
Executive producers - Jimmy Iovine and John McClain
(not John McCain)
Produced and engineered by E.T. Thorngren
Remixed by Bill Bottrell
Recorded at Rumbo Recorders, Fool On the Hill and A&M Studios
Mixed at Encore Studios and Smoketree
More credits on cover scans