Harold Vick - "Don't Look Back" (1974, Strata-East)

More previews below

swboy has given me permission to drop a few of his rips that were formerly on El Reza, so I'll try to add a few treats for those who have this already. This is one of my favourite Strata-East albums and a complete joy to listen to. There's something unique about Harold Vick's saxaphone sound that made me want to look deeper into his career.

A BRIEF HISTORY OF HAROLD VICK

Harold Vick emerged in the early 1960s as a saxaphonist with a distinctive, lyrical tone who retained a blues edge as the soul-jazz scene played back and forth with post-bop modernism throughout the decade, then followed the development of new forms in the 1970s.

Influenced by Gene Ammons, he played in the band of vocalist Lloyd Price from about 1958-1960 before joining Jack McDuff's band. He became a preferred tenor sax player for all the top-shelf soul-jazz organists like McDuff, John Patton and Jimmy McGriff.

In fact, he played with so many hammond organists that he has his own clickable org-hammo-gram.

'Our Miss Brooks' excerpt

His debut 1963 album "Steppin' Out" (Blue Note) sits firmly in the blues / early soul-jazz camp, with John Patton on the B3 and frequent collaborator Grant Green on guitar. The opening track "Our Miss Brooks" referred to Ellen Brooks, who had been Vick's girlfriend but was now going out with John Patton, who she married the next year. Ahh, musical tension in the studio! Listen to the above clip and imagine her sitting with a glass of wine, Yoko-like, at the back of the studio while the organ and sax face off. Nevertheless, Vick recorded another session with Patton the next year, but this was rejected by Blue Note and he moved on.

'Tiempo Medio Lento' excerpt

In 1966 he released "The Caribbean Suite" on RCA, built around an eight-part suite of the same name by British saxophonist Kenny Graham, with Vick adding some of his own tracks. Vick (on flute and soprano sax) is accompanied by Bobby Hutcherson, Albert Dailey and others, with Latin percussion by Montego Joe and Manuel Ramos. A bold change of pace and great stuff, you can almost hear Martin Denny and Bacoso drinking beers together in the jungle bushes behind, watching through binoculars. Thanks as always to Bacoso for re-upping this in relation to this post.

'A Rose for Wray' excerpt

Later in the year, he released "Straight Up", more straight-ahead than the previous album, but with the laid-back settings nonetheless giving you an opportunity to experience the subtle expressiveness of his playing against a backdrop of guitar, piano, vibes and trumpet. There's a few bossa tracks, and Vick adds soprano sax and flute to his woodwind arsenal.

'Hnic'

Vick recorded the album "Commitment" in 1967, but it wasn't released until 1974 on Muse, just before "Don't Look Back". Listen to the killer track "hnic" above, with Victor Feldman ripping it up on piano - Walter Bishop plays piano on most other tracks. The track also features Mickey Roker - drums; Herb Bushler - bass; Malcolm Riddick - guitar; and Vick on flute.

'Ode to Trane'

DOWNLOAD TRACK

1967's "The Melody Is Here" was later re-released as "Watch What Happens" with some additional tracks. Three tracks feature a quartet with Herbie Hancock, Bob Cranshaw and Grady Tate, the rest feature "The Harold Vick Orchestra" which includes Jimmy Owens, Joe Farrell, Hancock and others with a chorus of female voices. "Ode To Trane", above, comes from the Hancock quartet sessions.



'Buzzard Feathers' excerpt

In the early 1970s, drummer Jack deJohnette formed the band Compost with Harold Vick, Jumma Santos and others, seemingly as an excuse to go crazy on the wah-wah clavinet in a party funk-rock atmosphere. Vick seems to be enjoying himself immensely on sax and flute, often grabbing Jack's wah-wah pedal. Two albums were released : "Compost" (1972) and "Life Is Round" (1973), with vocalist Lou Courtney joining for the second album.

'Peace K.D.' excerpt

In 1973 Vick released an album called "Power Of Feeling" under the pseudonym "Sir Edward" on Bernard Purdie's Encounter label.

There's still conjecture on Dusty Groove, Soul Strut and other places as to whether this actually was Harold Vick, or indeed even Sonny Stitt - but a quick look at the back cover of the "Commitment" release from the following year confirms that it's Vick, via a somewhat disparaging comment from Fred Norsworthy, who's much keener on the 1966 material :

Bad Harold, naughty Harold

Players include Joe Bonner (rhodes), Wilbur Bascomb (bass), Omar Clay (drums), and Jumma Santos (percussion). Harold's clearly stolen the wah-wah pedal from the Compost sessions for this album.

Anyway I've ordered the vinyl, so will be back properly with this one in a week or two. (EDIT : Got it, go HERE )

Vick later re-recorded the track "Keep on Moving On" from this album on Shirley Scott's fantastic 1974 Strata-East release "One for Me", which features some of his best playing.

His 70s sideman discography is somewhat daunting, with appearances on many great albums by Joe Chambers, Larry Willis, Pharoah Sanders, Walter Bishop Jr, Mike Longo and others - just see the never-ending discography at the base of this post.

'Don't look Back' excerpt

So let's move on to today's album - 1974's "Don't Look Back" was recorded and released in the wake of Harold Vick's recovery from a heart attack, which may partially explain the passion with which he approaches his playing throughout. The title track "Don't Look Back" is a joyous melodic number that Vick himself attributes to new love experienced in his time of crisis. It was later covered on the Shirley Scott "One For Me" album (with Vick on sax), and also on Nat Adderley's same-titled album "Don't Look Back" in 1976.

His work on sax and flute has a harder, more intense edge to it than his other recordings - check out his tenor work on "Lucille" - while still displaying the subtlety of his best work - listen to his multi-tracked coda "Prayer", where Joe Bonner's rhodes mixes in with Vick's clarinet, flutes and saxaphone.

'Prayer'

Trumpeter Virgil Jones is a strong presence on this album, frequently trading solos with Vick on tracks like the latinesque "Senor Zamora" - his recent work had included a high profile arranger's role on Charles Earland's "Intensity"; and performances on albums as diverse as McCoy Tyner's "Song Of The New World" and Leon Spencer's "Where I'm Coming From".

'Senor Zamora' excerpt

There's great supporting work on piano and rhodes from Joe Bonner, who'd been on the "Sir Edward" album, and was about to record his own albums "Angel Eyes" and "Lifesaver", having recently worked with Azar Lawrence , Pharoah Sanders, and the Oneness Of JuJu.

As well as appearing on the aforementioned Tyner and Shirley Scott albums, euphonium player Kiane Zawadi had recently worked on Archie Shepp's "Attica Blues" and Dollar Brand's "African Space Program". He contributes a great solo here on "Melody For Bu", which is dedicated to organist Bu Pleasant, on whose Muse album Vick played the same year, and which also includes the track. Both Zawadi and Virgil Jones had worked with Vick almost a decade before on "Oh! Pharoah Speak" by Pharoah Sanders and the Latin Jazz Quintet.

'Melody For bu' excerpt

George Davis appears on alto flute on three tracks, as well as wah-guitar on the spiritual-flavoured "Stop and Cop" - see my "sidebar" on his career near the base of the Mike Longo post. Drummer Billy Hart now wins the "Most Labelled" award for this blog.

Bass player Sam Jones has a sideman discography even longer than some of my blog posts, but had recently been with Vick on Shirley Scott's "One For Me", as well as appearing on Clifford Jordan's "Glass Bead Games", Eddie Jefferson's "Things are Getting Better" and countless others.

Here's Harold's take on the tracks :

'Things Aint Right' excerpt

Vick's final album as a leader was "After The Dance" in 1977, named after the Leon Ware - Marvin Gaye penned title track. While I'm generally partial to some mixed disco-jazz albums of the period, this one suffers from some unimaginative track choices and arrangements, although I quite like the single "Things Aint Right", an Esther Marrow cover that mixes some blaxploitation-style wah-wah and orchestral textures with the disco beat, even if Vick's sax is a little incidental to the overall plot ...

Harold Vick continued to work frequently as a sideman until his death in 1987 from a heart attack. Saxaphonist Sonny Stitt composed a tribute track on his 2000 album "This Is What I Do" called "Did you Hear Harold Vick?", which is more of a funky, playful number rather than a mournful dirge.

HAROLD VICK - "DON'T LOOK BACK (1974)

TRACKLIST

01. 'Don't Look Back' (5:59)
02. 'Melody For Bu' (7:21)
03. 'Senor Zamora' (5:38)
04. 'Stop And Cop' (6:34)
05. 'Lucille' (9:20)
06. 'Prayer' (0:56) 

MUSICIANS

Don't Look Back
Bass - Sam Jones
Drums - Billy Hart
Euphonium - Kiane Zawadi
Alto Flute - George Davis
Piano, Tuba - Joe Bonner
Tenor Saxophone - Harold Vick
Trumpet - Virgil Jones

Melody For Bu
Bass - Sam Jones
Drums - Billy Hart
Euphonium - Kiane Zawadi
Flugelhorn - Virgil Jones
Alto Flute - George Davis
Concert Flute - Harold Vick
Piano - Joe Bonner

Senor Zamora
Bass - Sam Jones
Drums - Billy Hart
Fender Rhodes - Joe Bonner
Euphonium - Kiane Zawadi
Alto Flute - George Davis
Tenor Saxophone - Harold Vick
Trumpet - Virgil Jones

Stop And Cop
Bass - Sam Jones
Bass Clarinet, Flute - Harold Vick
Drums, Percussion - Billy Hart
Guitar - George Davis
Percussion - Jimmy Hopps
Piano, Percussion - Joe Bonner

Lucille
Bass - Sam Jones
Drums - Billy Hart
Piano - Joe Bonner
Tenor Saxophone - Harold Vick

Prayer
Bass Clarinet, Alto and concert Flutes, Soprano Saxophone - Harold Vick
Fender Rhodes - Joe Bonner 

PRODUCTION DETAILS

Arranged By, Composed By, Producer - Harold Vick
All selections: (Matron Music) BMI.
Produced at Blue Rock Studio, New York City.
Mixed and mastered at Generation Sound Studio, New York City.
Engineer [Recording] - Eddie Korvin
Mastered By - David Crawford
Mixed By - Tony May
Photography - Jim Dunn
Album Design, Art Supervision - Creative Hands, Inc.

Thanks to MsManagement and Lou Courtney for their assistance. Special thanks to the musicians for their love and cooperation in this endeavour.

God of Life / God of Love
We Praise Thy Name
Prayer of acknowledgement
and thanks to the Almighty Creator
for all things
All Praise Due to Allah

I dedicate this music to
The late Charles Futrell, father
The late Walter Lucas, friend
The late Gene Ammons, friend and early influence
Wiliam Eaton, friend
Charles Woods, teacher and friend
Dr Walter Weber, friend and physician 

HAROLD VICK - MAIN DISCOGRAPHY
1963 "Steppin' Out" at Ile Oxumaré
1964 rejected Blue Note sessions May 27th
1966 "Straight Up" at Call It Anything
1966 "The Caribbean Suite" at Orgy in Rhythm 1967 "Commitment" (released 1974) also at Never Enough Rhodes
1967 "Watch What Happens" also at Never Enough Rhodes
1973 "Power of Feeling" (Vicks as "Sir Edward") also at Never Enough Rhodes
1974 "Don't Look Back" in comments here 1977 "After The Dance" at My Jazz World

HAROLD VICK - SIDEMAN DISCOGRAPHY

2014 NOTE : Most of these will be dead links. Maybe all ! 

See also "Discography Mysteries" below this.
1958-60 - Probably some Lloyd Price albums, unconfirmed. 1961 Jack McDuff - "Sanctified"
1961 Gene Ammons - "Soul Summit" at Sergio Sonico
1961 Jack McDuff - "Goodnight, It's Time to Go"
(fully comped on "Legends of Acid Jazz" at Funkalicious)
1961 Jack McDuff - "On With It" 1961 Jack McDuff - "Steppin' Out"
1961 Ray Charles / Betty Carter - "Dedicated to You" at Rock and Blues / alternate FLAC
1962 Gene Ammons - "Soul Summit Volume 2" 1962 Jack McDuff / Gene Ammons - "Brother Jack Meets The Boss" 1963 Jack McDuff - "Plays for Beautiful People" at My Favourite Sound
1963 Jack McDuff - "Brother Jack Live! at the Jazz Workshop" in comp. at Granazi
1963 Jack McDuff - "Best of Brother Jack McDuff Live" at My Favourite Sound
1963 John Patton - "Along Came John" at My Favourite Sound / alternate
1963 Kenny Burrell, Jack McDuff - "Crash!' at musica y programas or MFS
1963 Jack McDuff - "Somethin' Slick"
1965 Grant Green - "His Majesty King Funk" at Oufar Khan
1965 (released 1983) Woody Shaw - "Cassandranite" at Orgy In Rhythm 1965 Big John Patton - "Oh Baby!" at My Favourite Sound
1966 Duke Pearson - "Prairie Dog" at Pharoah's Dance 1966 Richard "Groove" Holmes - "Soul Mist" at Buns O'Plenty --> 1966 Jack McDuff - "Live it up" 1967 Jack McDuff - "Soul Circle" 196? Pharoah Sanders & Latin Jazz Quintet - "Oh! Pharoah Speak" at Orgy In Rhythm 1966 Don Covay - "See-Saw" at Somewhere I have Never Travelled 1969 McCoy Tyner - "Cosmos" at Taringa
1971 Horace Silver - "Total Response" at Call It Anything
1971 Joe Chambers - "The Almovarid" at Orgy In Rhythm 1971 Houston Pearson - "Houston Express" at My Jazz World 1971 Johnny Hammond - "Wild Horses Rock Steady" at Baby Grandpa 1971 Pharoah Sanders "Live At The East" at Pharoah's Dance 1972 Horace Silver - "All" at Call It Anything (in comp) or Things n Stuff n Music
1972 Walter Bishop Jr - "Coral Keys" at Call It Anything
1972 Compost - "Compost" at My Jazz World
1972 Horace Silver- "Total Response" at My Jazz World
1972 Bernard "Pretty" Purdie - "Soul Is ..." at Flying Dutchman
1972 Bill Cosby - "Where You Lay Your Head" at Call It Anything
1972 Grant Green - "The Final Comedown" at Blaxploitation Pride
1972 Labelle - "Moon Shadow"
1973 Compost - "Life Is Round" at My Jazz World
1973 Larry Willis - "Inner Crisis" at Oufar Khan
1974 Shirley Scott - "One For Me" at Ile Oxumaré 
1974 Bu Pleasant - "Ms. Bu" (Muse) at Blue Beat In My Soul
1974 Peter Allen - "Continental American" at Breezin'
1974 Jack McDuff - "The Fourth Dimension" at My Favourite Sound
1974 Johnny Hammond - "Gambler's Life" at Milk Crate Breaks
1974 Jackie DeShannon - "Your Baby Is a Lady" at Billmusic
1974 Les McCann - "Another beginning" at Throwback Music 2.1
1975 Geoff Muldaur" - "Is Having a Wonderful Time" at renovcevic / FLAC alternative
1975 Kenny Vance - "Vance 32" at Cagedream 1975 Van McCoy - "The Disco Kid" donated by nikos
1975 Vernon Garrett - "Going to my Baby's Place" donated by Nikos
1976 Carol Townes & 5th Ave - S/T at Divas Need Love Too!
1976 Mike Longo - "Talk With The Spirits" at My Favourite Sound
1976 Charles Tolliver / Music Inc - 'Impact!" at Strata-East Fan Club
1976 Ralph McDonald - "Sound of a Drum"
1976 Ralph Graham - "Wisdom"
1976 David Forman - "David Forman" at The Research Garage
1976 Randy Crawford - "Everything Must Change" at La Magie de la funk
1976 Webster Lewis - "On The Town" at Disco2Go
1977 Ashford & Simpson - "So So Satisfied" donated by nikos
1977 Jess Roden - "The Player Not The Game" at TC's Old & New Music, instructions here
1978 Jon Faddis - "Good and Plenty" at Rockstar
1978 Jimmy Owens - "Headin' Home" at My Jazz World
1978 Zulema -"Z-licious"
1978 Quincy Jones - "Sounds .. and stuff like that" at Run's Lossless library
1978 Josh White jr - "Josh White jr"
1979 Angela Bofill - "Angel Of The Night" at musicdownloadcc
1979 Ralph McDonald - "Counterpoint"
1979 Al Foster - "Mr Foster" (just "She's the Greatest Dancer") at My Jazz World
1979 Sam Jones - "Something New"
1979 The Writers - "All in Fun"
1979 Candi Staton - "Chance"
1979 Charles Earland - "Coming to You Live" at Milk Crate Breaks
1979 Terumasa Hin0 - "City Connection" at My Jazz World
1980 Eric Gale - "Touch Of Silk" at My Jazz World
1980 "Fame" (OST) - just "Red Light" - at muzik2share
1980 Jimmy McGriff - "Movin' Upside the Blues' at My Jazz World
1980 Jess Roden Band - "Stonechaser" donated by Kosta (thanks!)
1980 Breeze - "Do What You Want To Me"
1981 Lena Horne - "The Lady and Her Music"
1981 T-Connection - "Everything Is Cool" at San Pasquale Entertainment
1981 Jimmy McGriff - "City Lights" at My Jazz World
1982 Eric Gale - "Island Breeze"
1982 Steely Dan - "Gold" (just "Century's End") at JustGoodTunes
1985 Gwen Guthrie - "Just For You" at Be Mine Music World 1985 Milt Jackson - "Brother Jim"
1985 Four Tops - "Magic" - just track "Again". 1986 "She's Gotta Have it" (original soundtrack) at Okayplayer forum 1987 Abbey Lincoln - "Abbey Sings Billie" at Accidentmusic or And It Don't Stop
1988 "School Daze" OST

DISCOGRAPHY MYSTERIES

1958-60 Lloyd Price : Harold Vick played in vocalist Lloyd Price's band from about 1958-1960 alongside John Patton. Price released three albums over this period, but I have been unable to find musician's listings for these.
Harold Vick is said to have played with Aretha Franklin (1970-1974); the Dizzy Gillespie Big Band (1969-70) and King Curtis (1969-70) but doesn't seem to appear on any recordings by these artists. Various obituaries and articles also refer to work with Nat Adderley, Mercer Ellington, Sarah Vaughan, Billy Taylor, Donald Byrd, and Jimmy Smith - but it is not clear whether this is just live work or involved recording. Any further knowledge would be appreciated.

Ray Charles : Harold Vick is listed as a saxaphonist on two Ray Charles compilations. The only two songs appearing on both comps were "Sweet Georgia Brown" and "Ruby". These songs appear on the respective albums "The Genius Hits The Road" and "Dedicated to You". The former has listings that do not include Vick, the latter had no musician listings that I could find. Therefore, by deduction I've listed him as appearing on "Dedicated to You", but this is still open to question : I'd imagine that Charles recorded "Sweet Georgia Brown" more than once.

POST CREDITS

"Don't Look Back" vinyl rip by swboy originally posted at El Reza Pics from Discogs Text and research by Simon666 Also big thanks to Bacoso for the re-up of "Caribbean Suite" .

Apart from the albums in the discographies, album links within the post go to :
Strata-East Fan Club, Orgy in Rhythm, Ile Oxumaré, My Favourite Sound, My Jazz World, Pharoah’s Dance, Call It Anything, Sergio Sonico, Granazi, Oufar Khan, Musica Y Programas, Blog–O–Blog, headfonehaus, seventeen green buicks, Blue Beat in My Soul and Jazz Jupiter Variation.

As always, please thank and support these bloggers and those in the discographies if you click through and download.

DOWNLOAD "DON'T LOOK BACK" 

Kenny Barron - "Innocence" (1978) & discography

This is a 1978 album with Kenny Barron on both rhodes and acoustic piano, ripped from vinyl and donated to the blog by swboy, who also gave us the Brasil : Samba Bossa MPB compilation back in July. I think this one is a first for the blogosphere ...

- THE SIDEMAN -

Kenny Barron's first 'appearance' on record was as both arranger and composer on Yusef Lateef's "The Centaur and the Phoenix" in 1960 when he was only seventeen, although he didn't actually play on the record.

He spent most of the 60s as Dizzy Gillespie's pianist, as well as recording on albums by his brother Bill Barron and saxaphonist James Moody, who also came from Gillespie's band.

After being replaced by Mike Longo in the Gillespie band in 1967, Barron formed the Jimmy Owens - Kenny Barron Quintet with trumpeter Owens, and they released the album "You Had Better Listen" the following year, featuring Bennie Maupin on sax and flute.

In 1967 he also made his first electric piano recordings on the Joe Henderson albums "The Kicker" and "Tetragon", though it was not until Freddie Hubbard's "The Black Angel" in 1970 that he began to use it as a major instrument in recordings. He rounded out the 1960s as a player on a wide variety of albums by Tyrone Washington, Booker Ervin and others.

As the 70s began, Barron explored an increasing range of musical styles on albums by Freddie Hubbard / Ilhan Mimaroğlu, Idris Muhammad, George Freeman, Charles Sullivan and many others.

For the first half of the decade, he joined Yusef Lateef as pianist (and frequent composer) for many albums and live dates, continuing to record on Lateef albums throughout the 70s such as "The Gentle Giant" , "Hush n Thunder", "Ten Years Hence" and "The Doctor Is In ... and Out".

- THE LEADER -

By the time of his debut solo album "Sunset to Dawn" in 1973, it was clear that he'd absorbed the global musical visions of leaders like Gillespie and Lateef. The rhodes-led sessions are awash with latin rhythms and percussion, with occasional melodic and harmonic suggestions of Brazil and the Caribbean.

These influences continue into some of "Peruvian Blue", his second Muse release in 1974, which alternates between acoustic standards and great latin-funk rhodes workouts (particularly the title track, which to me recalls Carlos Garnett's work at the time).

1975's "Lucifer" sees Barron branching out both musically and instrumentally, adding clavinet and string synthesiser to his keyboard arsenal across a range of tracks that expand his palette into fusion, acoustic spiritual, jazz-funk and other forms. Later in the year, he also recorded the live acoustic duet album "In Tandem" with guitarist Ted Dunbar (who'd been on "Peruvian Blue") while both were teaching at Rutgers University.

- "INNOCENCE " (1978) -

1978's "Innocence" features four of Barron's own compositions and one by trumpeter Jimmy Owens. Barron himself plays rhodes, acoustic piano and minimal string synth in a sparser grouping than on "Lucifer", with the latin elements of his keyboard style back at the forefront. For the most part, he's working here with musicians that he'd begun associations with in the preceding few years.

There are essentially two sessions and lineups here. The first three tracks feature Barron trading lead lines with saxaphonist Sonny Fortune, who he'd first worked with on Buddy Rich's "Tuff Dude" in 1974.

Fortune had subsequently brought Barron on board for his albums "Awakening" (1975) and "Serengeti Minstrel" (1977), which had featured the first recordings of the Barron tracks "Sunshower" and the uptempo "Bacchanal" respectively, both of which are strongly covered here. The other track from this session is the title track "Innocence", for which Barron multi-tracks both rhodes and acoustic piano. (Fortune's album for this year was "Infinity Is", which steps texturally towards a more commercial Mizell-style production while continuing some of the samba-play evident in the rhythms here).

The bass player for these first three tracks is Buster Williams, who Baron had first worked with on the Visitors' 1974 album "Rebirth". Williams, who'd worked with Sonny Fortune on his 1975 album "Pinnacle", used Barron on his low-key 1976 album "Crystal Reflections". In 1978, the year this album was recorded, Barron also accompanied Williams on something of a schizophrenic musical journey across the more structurally experimental albums "Heartbeat" and "Tokudo" (the latter not released until 1989) and the relatively ultra-commercial "Dreams Come True".

Percussion and drums on this first session are handled respectively by Rafael Cruz and Ben Riley. Cruz had been on Sonny Fortune's aforementioned "Serengeti Minstrel" and "Infinity Is". Riley, a veteran of Thelonius Monk's band, had worked with Barron and Williams on Ron Carter's albums "Piccolo" (1977) and "Peg Leg" (1978).

Ben Riley subsequently became Barron's drummer-of-choice for the next twenty years, including eight albums by their 80s band "Sphere", initially a Monk tribute band, then later recording original material - that they formed with Charles Rouse and Buster Williams, with Gary Bartz coming on as saxophonist after Rouse's death.

The other session, comprising tracks 4 and 5, is built around Barron and trumpeter Jimmy Owens. Apart from the aforementioned 1967 quintet album that the two had co-led, they'd worked together on albums by Eric Kloss, James Moody, Curtis Amy, and Yusef Lateef, as well as Owens' 1970 solo album "No Escaping it".

Over the previous two years, Owens had made two albums that had swung harder towards the discofunk dollar than any of his compatriots' attempts : "Jimmy Owens" (1976) and "Headin' Home" (1978), both featuring Barron on keyboards. While the former has some funky, almost Headhunters-meet-the Mizells moments, the 1978 album sometimes pushes into territories of disco dross akin to Chuck Mangione on a sugar jag. Bassist Gary King and drummer Brian Brake from those albums form the backline for the remaining two tracks here.

Barron's track "Sunday Morning" is as harmonically unadventurous as that second Owens album, and seems to precurse a lot of the smooth jazz of the 80s, apart from a good latin rhodes solo that builds towards the end, with Billy Hart joining in on percussion before it once again descends into smooth jazz hell with yukky synth-string overkill. Nah, I dun like this one ... can you tell?

Mwandishi veteran Billy Hart - who's on percussion for these last two tracks - had first worked with Kenny Barron on Buddy Terry's 1972 album "Pure Dynamite", and had since joined him on "Lucifer", Fortune's "Awakening", Williams' "Crystal Reflections" and Charles Sullivan's "Why Not". He'd released his debut album "Enhance" for A&M the year before, featuring Buster Williams and others.

The album finishes with Owens' track "Nothing to Fear", which comes across initially as a less-adventurous Eddie Henderson fusion-jazz number, flipping occasionally to a disco backbeat, but is saved by a great extended rhodes solo from Barron.

- AND THEN ... -

Kenny Barron started to back away from electric keyboards after this album, and aside from his 1996 album "Swamp Sally" with percussionist Mino Cinelu, hasn't used them on his own albums since this one.

Later in 1978, Buster Williams, Jimmy Owens and Kenny Barron took part in his brother Bill Barron's album, the all-acoustic "Jazz Caper".

In 1979 Barron recorded an acoustic piano duet album with Tommy Flanagan for the Denon label called "Together". He recorded his first solo piano album "At the Piano" in 1981.

I also strongly recommend a listen to "Golden Lotus" on Muse from 1982 (recorded 1980) - Barron's exploring all sorts of eastern and spiritual textures alongside Buster Williams and John Stubblefield in a way that recalls his great early 70s Muse sides.

Since "Innocence", he's gone on to record another 37 albums as a leader, and at the age of 65 shows no sign of slowing down - in one of the links below you'll find a live bootleg of him at the Village Vanguard last month, August 27th 2008.

TRACKLIST

01. "Sunshower" - 12:05
02. "Innocence" - 10:07
03. "Bacchanal" - 7:58
04. "Sunday Morning" - 8:40
05. "Nothing To Fear" 7:21

All tracks by Kenny Barron except track 5 (Jimmy Owens, Chris White)

MUSICIANS

Keyboards, Arranged By - Kenny Barron
Acoustic Bass - Buster Williams (1-3)
Electric Bass Gary King (4-5)
Drums - Ben Riley (1-3) , Brian Brake (4-5)
Percussion - Billy Hart (4-5) , Rafael Cruz (1-3)
Alto Saxophone - Sonny Fortune (1-3)
Trumpet - Jimmy Owens (4-5)

PRODUCTION DETAILS

Wolf Records
WOLF 1203
Producer - Joel Dorn for the Masked Announcer
Producer's Assistant - Kathy Tufaro
Engineer, remixer - Vince McGarry
Recorded and remixed at Regent Sound Studios, New York, NY

KENNY ON ELECTRIC PIANO
- Please add links when you come across them

1967 Joe Henderson - The Kicker at Vinyl4Giants
1967 Joe Henderson - Tetragon at Vinyl4Giants
1970 Freddie Hubbard - The Black Angel at Into the Rhythm
1970 Jimmy Owens – No Escaping It at Soul Food
1972 - Yusef Lateef - "The Gentle Giant" donated by Corvimax / alternate
1971 Idris Muhammad - Peace and Rhythm at Into the Rhythm
1971 Pete Yellin - Dance Of Allegra at The Shad Shack
1972 Jimmy Heath - The Gap Sealer at Ile Oxumaré
1972 Yusef Lateef - Hush n Thunder at My Favourite Sound
1972 Buddy Terry - Pure Dynamite at Everything Is On The One
1973 James Moody - Feelin' It Together also on this blog
1973 Albert Heath - Kwanza (The First) at Ile Oxumaré
1973 Kenny Barron - Sunset to Dawn at Orgy in Rhythm
1973 Roy Haynes - Togyu at Orgy in Rhythm
1974 Kenny Barron - Peruvian Blue at Ile Oxumaré
1974 George Freeman - Man and Woman at My Favourite Sound
1974 Ted Curson – Quicksand
1974 George Benson – Bad Benson at Freakywax / alternate
1974 Buddy Rich - The Last Blues Album, Vol. 1 at El Goog ja
1975 Sonny Fortune - Awakening at Ile Oxumaré
1975 Kenny Barron - Lucifer at Everything Is On The One
1975 Elvin Jones - New Agenda at Never Enough Rhodes
1976 James Moody - Timeless Aura at Home of Jazz 
1976 Al Gafa Quinteto - Leblon Beach at Porco's Hideaway
1976 James Moody – Sun Journey at Call It Anything
1976 Roland Prince – Colour Visions at An Ism to Horns and Beats 
1976 Buddy Rich – Speak No Evil at Barin99
1976 Jimmy Owens – Jimmy Owens at My Jazz World
1976 Buster Williams - Crystal Reflections at Ile Oxumaré
1976 Yusef Lateef - The Doctor Is In .. and Out at My Favourite Sound
1977 Elvin Jones – Time Capsule at Never Enough Rhodes
1977 Roland Prince – Free Spirit at Weirdope
1977 Sonny Fortune - Serengeti Minstrel at My Jazz World
1978 Kenny Barron - Innocence at base of this post
1978 Jimmy Owens – Headin’ Home at My Jazz World
1978 Freddie Hubbard - Super Blue at Orgy in Rhythm
1979 Sam Jones – The Bassist
1981 Michal Urbaniak - NY5: Music For Violin & Jazz Quartet
1981 Joe Chambers – New York Concerto
1983 Al Grey, J. J. Johnson - Things are getting better all the time
1984 Sharon Freeman - That's The Way I Feel Now
1988 James Moody – Moving Forward1996 Christian McBride - Number Two Express
1996 Kenny Barron, Mino Cinelu - Swamp Sally at No Na mo

(membership required)

KENNY BARRON leader discography
1973 "Sunset to Dawn" at Orgy in Rhythm
1974 "Peruvian Blue" at Ile Oxumaré
1975 "Lucifer" at Everything Is On The One
1978 "Innocence" at the base of this post
1981 'At the piano'
1982 'Golden Lotus' at Orgy In Rhythm1982 'Imo Live' at Dr Jellyfish's Rare Taringa post
1984 'Spiral'
1986 '1+1+1'1984-87 "Green Chimneys" (released '94) at CIA contributions
1985 "Landscape" R'Share ONE TWO donated by anonymous (thanks!)
1986 "Scratch" at musica que cuelga
1986 'What if?' at Musica Desde Las Antipodas / alternate : @ Barabara Sounds
1988 'Live at Fat Tuesdays' at Musica Desde Las Antipodas
1990 "Live at Maybeck Recital hall" at Call It Anything
1991 "Live in Copenhagen" (with Stan Getz) at CIA1991 "Lemuria-Seascape" donated by Dr Jellyfish. album info
1991 'Invitation'
1991 'Quickstep' at Musica Desde Las Antipodas
1993 "Sambao" at Musica Desde Las Antipodas
1993 "Other Places" at na bula bula com / alternate
1994 "Wanton Spirit" at musica que cuelga / alternate
1994 'The only one'
1994 'The moment'
1994 "Jazz En Tete" at Musica Desde Las Antipodas
1996 'New York attitude' at Musica Desde Las Antipodas
1997 "Things Unseen" at Into the Rhythm
1998 'The artistry of Kenny Barron'

2000 'Live In Tokyo' (w/Michael Brecker) at Taringa via Dr Jellyfish2000 "Spirit Song" at Into the Rhythm
2002 "Live at Bradley's" at Avax2002 "Canta Brasil" (with Trio de Paz) at Um Que Tenha / alternate 2004 "Images" at Jazz a gogo
2004 'A table for two'
2004 'Images' at Jazzsi
2005 'Super Trio' '(Super standards') at Jazzsi
2005 'Live at Bradley's II: the perfect set' at Avax
2006 Live at JazzBaltica (bootleg) at Bogard's Jazztapes
2008 "Live at the Village Vanguard" at Jazz Boot Experiment
2008 "The Traveler" at DMusic Club
KENNY BARRON co-leader discography

1968 Jimmy Owens-Kenny Barron Quintet "You Had Better Listen" at Casquería fina y menudillos de ocasión
1975 with Ted Dunbar - 'In Tandem' at The Dr Jellyfish Jazz Collection
1978 with Tommy Flanagan - 'Together'
1986 with Buster Williams - 'Two as one'1981 with Bobby Hutcherson & others - "One Night Stand" at My Jazz World
1986 with Red Mitchell - "The Red Barron Duo" - gone, re-up someone ?
1989 with Stan Getz - "Bossas and Ballads : The Lost Sessions" at rfccbh
1990 with the John Hicks Quartet - 'Rhythm-a-ning'
1991 with Joe Locke - 'But beautiful'1991 with Stan Getz - "People Time" at seventeen green buicks / alternate
1991 with Stan Getz - "Copenhagen 1991" (bootleg) at Ubu Roi
1991 with Stan Getz - 'Café Montmartre'
1992 with Barry Harris - 'Confirmation1996 with Mino Cinelu - "Swamp Sally" at No Na mo (membership required)
1998 with Charlie Haden - "Night and the City" at Singin' and Swingin'
1999 with Brad Mehldau - "Live at Umbria Jazz Festival" at Music for my people
2001 with Regina Carter - Freefall" at Jazz a gogo or lossless
2002 with George Robert - 'Peace' at Musica Desde Las Antipodas2003 "The Art Of Three : Cobham-Carter-Barron live in japan" at Avax
2007 with James Moody - 'Fly me to the moon' (1962-63 recordings) at CIA2008 with Harvie S (Swartz) - "Now Was The Time" - gone, re-up someone ?

KENNY BARRON WITH "SPHERE"
Kenny Barron, Charlie Rouse / Gary Bartz, Ben Riley, Buster Williams

1982 "Four In One" at Seventeen Green Buicks1983 "Flight Path" at Call It Anything1985 "On Tour"
1986 "Live At Umbria Jazz"
1986 "Pumpkin's Delight" (live)
1987 "Four For all"
1987 "Sphere" at Musica Desde Las Antipodas / alt
1988 "Bird Songs"

KENNY RECORDS "SUNSHOWER"1975 Sonny Fortune - "Awakening" at Ile Oxumaré
1977 Ron Carter - "Piccolo"
1978 Kenny Barron - "Innocence" in comments here1981 KB / Bobby Hutcherson - "One Night Stand" at My Jazz World
1986 with Red Mitchell - "The Red Barron Duo" - gone, re-up someone ?
1989 KB / Stan Getz - "Bossas and Ballads : The Lost Sessions" at rfccbh
1990 KB / John Hicks - "Rhythm-a-Ning"
1990 "Live at Maybeck Recital hall" at Call It Anything
1993 Jeanie Bryson - "I Love Being Here With You" at Singin' and Swingin'

POST CREDITS

Vinyl rip by swboy. Big thanks!
Text by Simon666Research from Michael Fitzgerald's Kenny Barron discography.

Album links in this post go to :

Call It Anything, Vinyl4giants, Into the Rhythm, Orgy In Rhythm, The Sly Mongoose, Alainfinkielgrautrock, My Favourite Sound, Ile Oxumaré, Everything Is On the One, Pharoah's Dance, K Kao Shima, El Goog Ja, Blog o Blog, Jazzclub No Na Mo, I Sounds, The Shad Shack, Freakywax, musica que cuelga, banattan, na bula bula com, Music for my people, Singin' and Swingin', Jazz a gogo, YuYazz, seventeen green buicks, My Jazz World, Um Que Tenha, Fender Jazz Music, Where Did All this Steam Come From?, Jazzever, Casquería fina y menudillos de ocasión, and Jazzy2U.

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